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In this project where I work with the support of metal plates to make painting, I am interested in an approach of the phenomenological experience of the landscape, in an attempt to transplant this magical experience, this moment where language fails, to the language and the territory of painting and the search construction of the pictorial image. The brightness of this moment and the brightness of the landscape as a blind spot, which finds and hurts the vision, which changes the image, revealing an image that is never fixed, which is always another, open, dependent on the movement of the spectator in space, of the surrounding space it reflects, of the natural and artificial light that gives it intensity or temperature.

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